|The town of Bomarzo sits high above Il Parco dei Mostri.|
For some time now, I’d been wanting to visit Il Parco dei Mostri (The Park of the Monsters), a quirky tourist attraction adjacent to the town of Bomarzo, near Viterbo. Since Easter Monday is a festa (legal holiday) in Italy, Paolo promised that he would not work on the house, his new aquarium (don’t even get me started) or any other projects, and we would spend the day doing “whatever (I) wanted.” Bomarzo is only about 40 minutes from us via the autostrada exit at Attigliano, so I announced that was our plan.
Besides, I thought, on Easter Monday, it won’t be very crowded. Those of you who know Italians and their festa behavior better than I, please stifle your laughter.
The Park of the Monsters is a Renaissance sculpture garden, if the Renaissance had LSD, that is. Set amidst the so-called Sacro Bosco (Sacred Woods), the park is filled with fantastic stone carvings of well, as the name suggests, monsters, but also mythological figures, animals both real and imagined, formal courtyards and small-scale buildings. All of the stone carvings were done in situ, meaning they were cleaved from the boulders that were already there.
The garden was the vision of nobleman Pier Francesco Orsini, a member of the wealthy and venerable Orsini clan, whose long and sprawling pedigree in Italy includes three popes, 34 cardinals, and assorted generals, princes and thieves (none of these titles were mutually exclusive). Piety never kept a good man down, and numerous Orsinis were the bastard children of popes and cardinals.
|This unfortunate wretch is the giant Cacus|
in his death throes, killed by that bully Hercules.
Whether he was conceived in the pope’s chambers or in a whore house (those Orsinis did get around), our Pier Francesco was apparently a romantic guy with a healthy sense of the bizarre. Though the historical record is not clear, the popular tale is that he commissioned the gardens after the death of his beloved wife, Giulia Farnese, who is not to be confused with the Giulia Farnese, who was mistress and baby-mama to Pope Alexander VI, all the while she was married to – you guessed it! – an Orsini, this one the cleverly-named Orsino Orsini (which I think may loosely translate to Little Beary Bear).
|Pope Alexander VI, who never set |
foot at Bomarzo.
For an ugly guy, he got laid a lot.
Anyway, Pier Francesco conceived of the park on his estate at Bomarzo, either as a physical monument to the non-slutty Giulia Farnese or simply as a place of whimsy for himself and his guests. In either case, the park fell into disuse after his death in 1585. Though artists like Salvador Dalí and Jean Cocteau were familiar with the overgrown tangle of fantastic sculptures, it wasn’t until the 1970s that the Bettini family, who still own the park today, grabbed rakes and lawnmowers and restored the park. Fast forward to 2012, and to an unwitting American expat (that would be me) who thought Il Parco dei Mostri was a little-known tourist attraction that drew only those with a taste for the quirky and arcane, like the people who make a special trip to visit the Corn Palace in South Dakota or the World’s Largest Twine Ball, which depending on whom you ask, is located either in Darwin, Minnesota or Cawker City, Kansas. (For clarification purposes, the good people of Darwin renamed their ball of twine the World’s Largest Twine Ball Rolled By One Man, to distinguish it from Cawker City’s World’s Largest Twine Ball, which is a still-growing community effort. Everyone knows Kansans are notorious cheaters, anyway.)
|The "hanging house."|
I think they held raves here.
But instead of only the few, the geeky and the curious, on this sunny Easter Monday, Paolo, Naomi, me, and every family of eight or more from Rome and vicinity decided to descend on the Sacred Woods. It’s a good thing there are no sacred nymphs or unicorns (other than the stone kind) flitting about those sacred woods, as the baby strollers, ringing cellphones and picnicking Italians would frighten them all away. One woman blocked one of the few stroller/wheelchair friendly ramps by arguing loudly on the phone, presumably with her soon-to-be-ex-mother-in-law (“He’s your son; now he’s your problem!”). Another couple, no doubt the incestuous descendants of some lascivious pope, stood making out in front of a giant stone turtle as a friend waited to snap their photo free of the madding crowd, which was also hoping to snap a more G-rated photo of the turtle. Parents thumbed through photos on their iPhones as their children wiggled under a fence and climbed all over a sculpture of dragon, until a security guard chased them off and scolded the decidedly nonplussed parents. Soccer balls bounced off the ionic columns of model stone temples and the noses of lions.
|Paolo and Naomi, at the Temple.|
And to Renaissance visitors, who saw the park free of the noise pollution of tour buses, passing airplanes and the distant train, it’s ivy-shaded paths, perhaps a bit more fecund and overgrown nearly 500 years ago, I imagine the park and its woods did seem just a little bit sacred. As long as it wasn't a festa.
|A corner of the sacred woods, probably not |
much different than how it looked 500 years ago.